![]() Born in Temecula, California, in 2003, she started lessons in piano, voice, and acting as a child, and went on to star in Disney+’s High School Musical: The Musical: The Series. Rodrigo was just 17 when the song came out, but she had been getting ready for years. “And I got home and I was like, ‘Maybe I’ll write a song about this: crying in the car.’” Rodrigo had tapped into a universal experience: The middle-aged guys weren’t teenage girls, but they’d also driven around listening to sad songs. “I was driving around my neighborhood listening to really sad songs, like, crying in the car,” Rodrigo told Apple Music. By the end of their discourse, they’re all in tears, singing along. Another complains that it just sounds like a teenage girl sitting alone at a piano. One puts “drivers license” on the jukebox. The more, the better.A few weeks after Olivia Rodrigo’s “drivers license” became the biggest song in the world, Saturday Night Live ran a sketch that featured a bunch of middle-aged guys shooting pool in a dive bar. ![]() It also works as a gateway for a larger discussion about his influence.Īfrobeats has become even more populated since Tekno's heyday, with a fresh wave of promising talents popping up each week. While Tekno's measuring rod has always been singles and not albums, The More The Better is a reminder that his gentle, splendoured binoculars boost Afrobeats' broader landscape and, perhaps, leave it better off. Sometimes, innovation means re-tinkering old tactics. If you go through his catalogue, these are traditional to him. He's not too given to Afrobeats' current amapianosms, instead drawing from the verandas of sounds from East and francophone Africa, augmented by vocal samples and references, smooth chords and bright guitar trills. A producer at heart, even his voice provides complementary percussion, particularly on submissions like 'Peppermint' and 'King of Pop'. ![]() A consistent combination of the above has strengthened his reputation. Additionally, he is jovial – that is his pathology – and you hear it in the fluffiness of his lyrics, which ruminate over typical pop obsessions like serenity, romance and wealth.īut he is also attentive to groove, a key determinant of pop success. This is likely what has always inspired his method (this album included). ![]() “Vibes go bring melody,” he sings on the album's title track. Throughout its 13-track duration, the singer hardly strains a note, his voice (which has survived vocal cord surgery) almost caressing the instruments on which it cruises. It is fine, tidy and irresistibly warm – like something curated to sit with, or for a long drive. Tekno's new record is all him, save for a single guest appearance by Love Nwantiti hitmaker CKay. On 'Twice Shy', also from the project, he assures himself: “I dey my comfort zone with confidence.” On the hook of 'Peace of Mind', taken from his just-released sophomore collection The More The Better, he touts his patience and unshakable knowledge that his “time is now”. The singer's work has also quietly accrued more than 2 billion streams across major digital platforms. But the exploits of fellow Nigerian Kizz Daniel's ' Buga', which co-stars Tekno, proves that the genre hasn't necessarily moved on from him, even if his vocal participation on that song was negligible.
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